Chaos Cinema Part 3 from Matthias Stork on Vimeo.

The final entry in Press Play’s Chaos Cinema series examines the critical response to the first two videos and points to relevant areas of research.

“Chaos Cinema Part 3” was made according to principles of Fair Use (or Fair Dealing), primarily with scholarly, critical, and educational aims. It was published under a Creative Commons Attribution-Noncommercial 3.0 Unported License.

Chaos Cinema Part 2 from Matthias Stork on Vimeo.

The video essay Chaos Cinema, administered by Indiewire’s journalistic blog PRESS PLAY, examines the extreme aesthetic principles of 21st century action films. These films operate on techniques that, while derived from classical cinema, threaten to shatter the established continuity formula. Chaos reigns in image and sound. Part 2 takes a look at the chaotic style in dialogue scenes, musicals, “shaky-cam” extravaganzas and mourns the rich history of early cinema.

The video essay was widely debated on the internet and featured in newspaper publications such as THE WEEK and THE NEW YORK TIMES.

“Chaos Cinema Part 2” was made according to principles of Fair Use (or Fair Dealing), primarily with scholarly and critical aims, and was published under a Creative Commons Attribution-Noncommercial 3.0 Unported License.

Chaos Cinema Part 1 from Matthias Stork on Vimeo.

The video essay Chaos Cinema, administered by Indiewire’s journalistic blog PRESS PLAY, examines the extreme aesthetic principles of 21st century action films. These films operate on techniques that, while derived from classical cinema, threaten to shatter the established continuity formula. Chaos reigns in image and sound. Part 1 contrasts traditional action films with chaotic ones and takes a close look at the “sound” track, especially its use in car chases.

The video essay was widely debated on the internet and featured in newspaper publications such as THE WEEK and THE NEW YORK TIMES.

“Chaos Cinema Part 1” was made according to principles of Fair Use (or Fair Dealing), primarily with scholarly and critical aims, and was published under a Creative Commons Attribution-Noncommercial 3.0 Unported License.

On 23rd of December 2013, Bethlehem Unwrapped festival opened with the unveiling of a 8m high life size replica of the separation wall that has been built by Israel in the West Bank. It has been constructed over 8 days in the church yard of St James’ near Piccadilly Circus in central London in a bid to bring some reality of what it is like to live in Bethlehem in 2013.
http://bethlehem-unwrapped.org/