{"id":573,"date":"2014-01-02T23:33:59","date_gmt":"2014-01-02T23:33:59","guid":{"rendered":"https:\/\/melangedmaculateme.wordpress.com\/2014\/01\/02\/chaos-cinema-part-2-from-matthias-stork-on\/"},"modified":"2023-07-28T16:26:18","modified_gmt":"2023-07-28T20:26:18","slug":"chaos-cinema-part-2-from-matthias-stork-on","status":"publish","type":"post","link":"https:\/\/melange.dmaculate.me\/home\/2014\/01\/02\/chaos-cinema-part-2-from-matthias-stork-on\/","title":{"rendered":""},"content":{"rendered":"<div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/28016704\" width=\"500\" height=\"375\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p><a href=\"http:\/\/vimeo.com\/28016704\" target=\"_blank\" rel=\"noopener\">Chaos Cinema Part 2 from <\/a><a href=\"http:\/\/vimeo.com\/cineessais\" target=\"_blank\" rel=\"noopener\">Matthias Stork<\/a> on <a href=\"https:\/\/vimeo.com\" target=\"_blank\" rel=\"noopener\">Vimeo<\/a>.<\/p>\n<blockquote>\n<p class=\"first\">The video essay Chaos Cinema, administered by Indiewire&rsquo;s journalistic blog PRESS PLAY, examines the extreme aesthetic principles of 21st century action films. These films operate on techniques that, while derived from classical cinema, threaten to shatter the established continuity formula. Chaos reigns in image and sound. Part 2 takes a look at the chaotic style in dialogue scenes, musicals, &ldquo;shaky-cam&rdquo; extravaganzas and mourns the rich history of early cinema.<\/p>\n<p>The video essay was widely debated on the internet and featured in newspaper publications such as THE WEEK and THE NEW YORK TIMES.<\/p>\n<p>&ldquo;Chaos Cinema Part 2&rdquo; was made according to principles of Fair Use (or Fair Dealing), primarily with scholarly and critical aims, and was published under a Creative Commons Attribution-Noncommercial 3.0 Unported License.<\/p>\n<\/blockquote>\n<div class=\"attribution\">(<span>Source:<\/span> <a href=\"http:\/\/vimeo.com\/\">http:\/\/vimeo.com\/<\/a>)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Chaos Cinema Part 2 from Matthias Stork on Vimeo. The video essay Chaos Cinema, administered by Indiewire&rsquo;s journalistic blog PRESS PLAY, examines the extreme aesthetic principles of 21st century action films. These films operate on techniques that, while derived from &hellip; <a href=\"https:\/\/melange.dmaculate.me\/home\/2014\/01\/02\/chaos-cinema-part-2-from-matthias-stork-on\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-573","post","type-post","status-publish","format-video","hentry","category-uncategorized","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":577,"url":"https:\/\/melange.dmaculate.me\/home\/2014\/01\/02\/chaos-cinema-part-1-from-matthias-stork-on\/","url_meta":{"origin":573,"position":0},"title":"Chaos Cinema Part 1 from\u2026","author":"aslam","date":"January 2, 2014","format":"video","excerpt":"Chaos Cinema Part 1 from Matthias Stork on Vimeo.The video essay Chaos Cinema, administered by Indiewire\u2019s journalistic blog PRESS PLAY, examines the extreme aesthetic principles of 21st century action films. 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Able to contact their families and local authorities with cell phones, they stayed safe in the freezing cold for five\u2026","rel":"","context":"In \"Charlie Hebdo\"","block_context":{"text":"Charlie Hebdo","link":"https:\/\/melange.dmaculate.me\/home\/tag\/charlie-hebdo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1642,"url":"https:\/\/melange.dmaculate.me\/home\/2011\/06\/09\/for-their-eyes-only-inside-the-world-of-the-film\/","url_meta":{"origin":573,"position":4},"title":"For their eyes only: Inside the world of the film censor &#8211; News, Films &#8211; The Independent","author":"aslam","date":"June 9, 2011","format":false,"excerpt":"Via Scoop.it - Rights & LibertiesScenes of unrelenting degradation, torture and sexual humiliation? All in a day\u2019s work for the film censors tasked with deciding which of the 14,000 films, videos and computer games submitted each year are unacceptable for British audiences.Show original","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1725,"url":"https:\/\/melange.dmaculate.me\/home\/2010\/11\/29\/can-you-spot-the-future-americans\/","url_meta":{"origin":573,"position":5},"title":"Can you spot the future Americans?","author":"aslam","date":"November 29, 2010","format":"link","excerpt":"Photo essay by a photographer\u00a0who takes the passport-style pics to accompany US citizenship applications.Can you spot the future Americans?","rel":"","context":"In \"immigration\"","block_context":{"text":"immigration","link":"https:\/\/melange.dmaculate.me\/home\/tag\/immigration\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/posts\/573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/comments?post=573"}],"version-history":[{"count":1,"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/posts\/573\/revisions"}],"predecessor-version":[{"id":2488,"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/posts\/573\/revisions\/2488"}],"wp:attachment":[{"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/media?parent=573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/categories?post=573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/melange.dmaculate.me\/home\/wp-json\/wp\/v2\/tags?post=573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}